Chinese traditional auspicious patterns in the development of
philosophy and mental characteristics
1, the traditional Chinese auspicious patterns of philosophical
ideas
The ancient Chinese view of the universe, the universe is gold,
wood, water, fire, soil five basic elements or substances, all
things are one divides into two. The whole thing, conflict
transformation, yin and Yang and the two two reinforce each other
to become" gold, wood, water, fire, soil" five lines of movement of
the driving force, which is the" Yin Yang and five the line of
thought".
It forms part of the Chinese traditional philosophy foundation,
which is the traditional Chinese auspicious patterns of birth and
development has provided the most universal universe concept
guidance, for the Chinese traditional auspicious patterns in the
designs of specific models. Chinese traditional auspicious patterns
in the sparse and dense, dynamic and static, virtual reality,
hiding and exposing,office furnitures
black and white dialectics is the Yin Yang and five elements theory
in the application of composition. From the theory of the five
elements of red, yellow, blue, black, and white are the ancients
considered auspicious" orthochromatic". It is the traditional
Chinese art color basic guidelines, accumulation of profound
historical and cultural essence of the five lines of color
synthesis use, will become the highest aesthetic of Chinese
standard.

Chinese culture in the ideological concept has a outstanding
characteristic that emphasizes the harmony between man and nature,
"harmony" philosophy thought. From Confucius" benevolence" of the
importance of human thought to the Taoist" Tao follows nature" that
people in a natural, but the idea of returning to nature,
inaction,PC remotes Control
for" harmony" theory lays a foundation for the formation of. The
external natural phenomena and subjective feelings of mutual
penetration, fusion, I advocate of the perfect unity is the highest
realm of art and design. To make a long story short," harmony"
thought of Chinese traditional auspicious patterns in the designs
and applications have broad impact.
2Chinese traditional auspicious pattern mental
characteristics
Based on the traditional auspicious patterns in the observation,
experience and comprehension, through these colorful form
phenomenon, we found that the traditional auspicious patterns
aesthetic law. Overall, can be summarized as the following
characteristics: first, the essence of spirit : the essence of
charm, style, look lively, natural beauty. " Spirit" is greater
than" is similar to " aesthetic sense is mother's day embodiment. In
second, the ideal romantic: it has greatly expanded the artistic
freedom, broke through the shackles of nature, will be scattered
all over the place good collection in a body, such as the
auspicious kylin is a variety of the combination of animal. The
ideal romantic is the traditional Chinese auspicious patterns are
the most prevalent psychiatric features.
Third: nothing, nothing ethereal ethereal is a Taoist thought in
the Chinese traditional auspicious patterns in the most perfect
embodiment of. Not much, if any, attention to subtle natural
picture, if false if true, leaving a vast space for imagination.
Fourth, euphemistic: Chinese traditional auspicious patterns in the
United States often do not words or self-evident, which fully
reflects the Chinese preference implicitly, not like direct habit.
In the Chinese traditional auspicious patterns, homophonic,
symbolism, metaphor is the commonly used technique, as they are a
symbol of" loving couple".